The Chaotic
Tone in Ballad in Plain Be Flat by Bob Dylan
In
Ballad in Plain Be Flat, Bob Dylan
portrays the youth’s attitude towards the societal norms of the 1960s, creating
a hectic tone through his word choice, vivid depictions and grammatically and
structurally disoriented sentences. Also, the author fortifies his expressions
by utilizing the stream of consciousness technique, giving the readers the ability
to observe the narrator’s thoughts first-hand. It is evident, throughout the abstract,
that the narrator exhibits an unconventional behaviour, adding to the chaotic
tone that is already prevalent. Initially, the narrator disregards long-established
religious trends, as illustrated with the words “bloody crucifix” (lines 9 and
10). Secondly, the narrator criticizes the old society’s appreciation of proper
education as the sole indicator of adequate personality using the phrase “see
you when I get my degree” (line 42), suggesting that without a degree the
narrator is not even allowed to be with his lover. Thirdly, the narrator makes
assorted references to widespread violence, as underlined by words like “screamed”
(line 3), “dying” (line 18), and “fighting” (line 18). Moreover, the narrator
hints that this act of violence is not specific to certain people, however, has
become commonplace, as subtly implied by “tom dick & harry” (line 2), a
phrase that has become synonymous with “everybody” in casual dialect. Moreover,
the fact that there is a shortage of capital letters in this excerpt and that
some words that have been capitalized before are not capitalized afterwards, as
with “Cincinnati” (19 and 25), bolstering the overall untidiness. Equally, the
same disorder goes for punctuation; some sentences are inappropriately
punctuated, meanwhile others, just as “no wonder you want to start a
revolution” (lines 26 and 27), do not contain any punctuation marks at all. In
conclusion, in Ballad in Plain Be Flat,
the author exerts prominent illustrations, a unique word choice, and a
perplexing structure in order to form a tumultuous tone that represents the
youngsters’ approach to many of the 1960’s customary conventions.
-Bora
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